We very rarely share the positive reviews we receive from our clients but the other day we received a pretty special one from one of our new Print Shop users, Damien Lovegrove. He's a "go for it" guy who'd launched his store within a week of deciding to use Print Shop, and within days of that made his first large format canvas sale. We're sharing his review for two reasons: It offers great advice for anyone starting out — why he chose the platform, and the challenges he faced when setting it up. If you're already using Print Shop we'd love your thoughts over on the insider about what features To View More >>

There are lots of ways to make money as a landscape, travel, adventure, wildlife or fine art photographer. Shooting for a publication, for example, or selling through galleries or other commercial spaces such as tourist stops or cafes. Or working with clients to produce product or marketing images. Or décor for commercial or hospitality spaces. But over the course of your career you'll likely build a library of images that are yours to sell over and over again — if you could only work out how, without turning yourself into a shopkeeper! More opportunities today Today we're free to To View More >>

The feature that everyone has been calling out for has arrived. Everyone knows that if you stick images online people will want to cut you out of the loop and copy them to their desktops. Well, they say it's better to be pirated than ignored, but we still don't like it, so how can Workspace stop this happening to you? First, a while ago we programmed Workspace to not allow the right-click copy and paste function. But the big deal is our new Watermark feature. All you need to do is upload a watermark and apply it to your images. Where to start? First, design your watermark in Photoshop. The proxies To View More >>

You've designed your album. You've created your exports. You're ready to upload. One key step you need to add: check your print files! Open your exports in Photoshop. Double check your alignment and image placement. Make sure the correct images are on the layouts. View them at 100%. Double check for pixelation. Are your files the correct color profile for your printer? They should be Adobe 1998 for Queensberry. Have you used our soft proof profile to double check your colour (you can download them here)? Is your monitor calibrated? If this is your first order, you are eligible for free test prints. To View More >>

Here's my second handy hint about file management. Don't muck about with your hi res files outside Photojunction after they've been imported. The key words there are outside Photojunction. If you want to keep the software smiling, they're important. It means you need to think about when and how you copy image files, and when you are going to do your artwork. Here are three alternative scenarios, which all keep PJ happy if used properly: 1. Do art work on your images before importing them. This is so you can import one set of finished files without lots of extra images, sub-folders etc to confuse To View More >>

Hi all What an awesome privilege it's been to work with Queensberry to develop their Plug-in for Aperture 3!  As a true blue Apple fanboy it's been a really exciting project to work on. When Apple came knocking we jumped at a chance to partner with them, but we've since had a few clients ask questions like: - What's the difference between Aperture 3 and Photojunction? - Why would you create a plug-in for Aperture when you already make Photojunction? ...And my personal favourite: - Does this mean Photojunction is dead!? We think your decision will ultimately be based on personal preference and To View More >>